OK ... show us your 335s (and 345s and 355s)
- sookwinder
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OK ... show us your 335s (and 345s and 355s)
With all the love going around here for 335s maybe it's about time for a photo thread.
(A thread like this would have been flamed 10 years ago … truly amazing how the rest of you have matured )
1966/67 Gibson Sparkling Burgundy 335
(A thread like this would have been flamed 10 years ago … truly amazing how the rest of you have matured )
1966/67 Gibson Sparkling Burgundy 335
relaxing alternative to doing actual work ...
- zhivago
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Re: OK ... show us your 335s (and 345s and 355s)
Here is my '64 Reissue ES-345 from Memphis...made in 2015, I think.
Resident Spartan.
- Larry Mal
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Re: OK ... show us your 335s (and 345s and 355s)
Here's the one I kept, it's a 2019 Dot:
I was a little nervous since it was the first year that Gibson was making the ES series in the Nashville plant instead of Memphis, where they had been making them for decades prior.
But I preferred it (slightly) to this 2018 Traditional, that was made in the Memphis plant during the last year of production there:
And it was such a slight preference that when I offered to sell one of them, I was giving people a choice as to which one they wanted so I didn't have to make a decision.
I later found I had put a ding in the Dot there, so it would have been a slightly harder sell, also I realized I had been calling that Dot "Hope" in my mind for a while and had grown sentimental about it pretty quickly.
Looking at that top picture makes me remember that I was happy then and how much I am looking forward to fall!
I was a little nervous since it was the first year that Gibson was making the ES series in the Nashville plant instead of Memphis, where they had been making them for decades prior.
But I preferred it (slightly) to this 2018 Traditional, that was made in the Memphis plant during the last year of production there:
And it was such a slight preference that when I offered to sell one of them, I was giving people a choice as to which one they wanted so I didn't have to make a decision.
I later found I had put a ding in the Dot there, so it would have been a slightly harder sell, also I realized I had been calling that Dot "Hope" in my mind for a while and had grown sentimental about it pretty quickly.
Looking at that top picture makes me remember that I was happy then and how much I am looking forward to fall!
Back in those days, everyone knew that if you were talking about Destiny's Child, you were talking about Beyonce, LaTavia, LeToya, and Larry.
- Larry Mal
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Re: OK ... show us your 335s (and 345s and 355s)
Oh, and it's not so much that I matured as it is that I got some money!
Back in those days, everyone knew that if you were talking about Destiny's Child, you were talking about Beyonce, LaTavia, LeToya, and Larry.
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Re: OK ... show us your 335s (and 345s and 355s)
I've had two Japan-market Epiphones--a 335 and a Shinichi Ubukata 355, both of which were good. In fact the 355 was among the best finished guitars I've seen but also really heavy. My current 335 is a Memphis 2018 "Anchor Stud" model. It may have established a permanent place for itself or a similar guitar.
- parry
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Re: OK ... show us your 335s (and 345s and 355s)
Quoted for truth!sookwinder wrote: ↑Mon Jul 26, 2021 9:07 pm(A thread like this would have been flamed 10 years ago … truly amazing how the rest of you have matured )
This guitar is basically all I play anymore. The nice thing about offsets is how beautifully tailored to the body they are, but the physical act and fight of shoving this thing around is extremely rewarding in a different way.
It's one of the matte, trans black models with an ever-changing light and grainy/black colour, depending on the light. It's very worn in and feels like a 50 year old guitar. It lived the first decade of its life as a session guitar in a studio that put lots of miles on it. They decided to sell it on after a (classic) tragic headstock break. Fortunately, I knew where it was repaired and they do great work. If I never mentioned the break, most people wouldn't even notice. I was actually looking for one with a repair (to save money/heartache), so it worked out perfectly.
Fighting for peace is like fucking for virginity.
- Larry Mal
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Re: OK ... show us your 335s (and 345s and 355s)
Nice... I love the trapeze on there, you basically turned it into a semi-hollow ES-330 it occurs to me.
Back in those days, everyone knew that if you were talking about Destiny's Child, you were talking about Beyonce, LaTavia, LeToya, and Larry.
- Telliot
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Re: OK ... show us your 335s (and 345s and 355s)
This thread is killing me.
The cool thing about fretless is you can hit a note...and then renegotiate.
- Gavanti
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- parry
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Re: OK ... show us your 335s (and 345s and 355s)
Exactly.
Thank you. All those years of playing Jazzmasters has kind of wrecked me, I think. If it doesn't have strings ringing out behind the bridge, it just doesn't feel right. And BOY do the strings on this ring. These guitars are ridiculously resonant!
Fighting for peace is like fucking for virginity.
- Larry Mal
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Re: OK ... show us your 335s (and 345s and 355s)
That's exactly why I bought that ES-330 above! And I would have preferred a trapeze loaded 335, also.
Back in those days, everyone knew that if you were talking about Destiny's Child, you were talking about Beyonce, LaTavia, LeToya, and Larry.
- Embenny
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Re: OK ... show us your 335s (and 345s and 355s)
Those are all gorgeous. I'd love to hear what a trapeze sounds like on one of these.
I'm new to, and somewhat accidentally a part of, this club, but my 335 has made a very positive impression on me very quickly.
I'm new to, and somewhat accidentally a part of, this club, but my 335 has made a very positive impression on me very quickly.
The artist formerly known as mbene085.
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- parry
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Re: OK ... show us your 335s (and 345s and 355s)
For YEARS, I've been a solid "nawwww" on Bigsbys. But lately...
Curse the thoughts! And this certainly doesn't help!
Fighting for peace is like fucking for virginity.