What is funny about this is I found it when I went to pick up my vintage Vox Cambridge Reverb from repair. I had just settled up on the repair and decided to take one more lap around the shop and there it was in the case. Naturally I had to demo it through the Vox, and unsurprisingly I loved it. Of course I had to grab a family picture on the way home for yucks.
![Image](https://i.imgur.com/ChI9zaX.jpg)
I've now tried it at home using the Iconoclast as well as at practice as my "amp" on a night when it was just me and the drummer, and long story short I love it. I also have a Tech 21 Blonde I bought from a fellow OSGer a few years ago, and what I really appreciate about these is that while they each have their own signature the controls function similarly, so It's pretty intuitive to dial in sounds. I like the lightly crunchy sounds best on this whereas the Blonde is better at the two extremes.
In the area of speaker emulation I think the Liverpool wins, but this is largely because the AC sound to me is just easier to pull off in the analog domain. I would have zero issue using this live in my 3 piece where I am the only guitar. It's a pretty bright pedal, but not in an icepicky way. It does that lovely upper midrange "splat" thing.
Something that tends to get repeated a lot is that the Joyo AC Tone and its variants are basically identical to the Liverpool. Having had custody of an AC Tone for few days a while back I diagree. The Liverpool is much more complex and amp-like.