My thoughts too.
Nothing wrong with muffs, they have a cool thing going, but a good fuzz face is like having an extra instrument. There is so much you can do with them, not just blues.
J.
My thoughts too.
You’re going to hate finding out a good portion of the fuzz tones on MBV’s Loveless were made by a silicon Fuzz Face.Long time shoegazer, long time FF hater. I’m okay with being wrong so if y’all know a FF variant that’ll get me “that sound” link plz.
This sums it up for me. I have an Analogman Sunlion and the Fuzzface side of it really is nothing to write home about unless it is going into a driven amp or overdrive pedal. Even then it is a bit "meh" to me...MechaBulletBill wrote: ↑Sat Jul 18, 2020 2:46 ami'll take most things over a big muff these days, and i love a good fuzz face. much more versatility than a muff, all in the guitar volume knob. they really only work when run into something compressed/clipping, like a good overdrive or cranked amp.
I‘m one of those „one of everything“ guys too!tune_link wrote: ↑Sat Jul 18, 2020 11:30 pmI think Kevin Shields just has a “one of everything” motto tho right?
In all seriousness, someone that loves fuzz faces suggest a model that might help me overcome this bias. I’m not immune to new experience. I can’t imagine a fuzz face that would cure my love of big muffs though.
creepy fingers creepyfacetune_link wrote: ↑Sat Jul 18, 2020 11:30 pmI think Kevin Shields just has a “one of everything” motto tho right?
In all seriousness, someone that loves fuzz faces suggest a model that might help me overcome this bias. I’m not immune to new experience. I can’t imagine a fuzz face that would cure my love of big muffs though.
Well, today yes, lots of builders have sent him pedals and he has a ton of them, so he shows them off. In 1991 though, it was a Rat, Fuzz Face, and Octavia for dirt.tune_link wrote: ↑Sat Jul 18, 2020 11:30 pmI think Kevin Shields just has a “one of everything” motto tho right?
In all seriousness, someone that loves fuzz faces suggest a model that might help me overcome this bias. I’m not immune to new experience. I can’t imagine a fuzz face that would cure my love of big muffs though.
I used to have a Yardbox years ago that was good for that. Maggie-o swears by hers, but I moved on to more vintage/accurate Tone Bender clones.mgeek wrote: ↑Sun Jul 19, 2020 7:51 amI had a 90s fuzz face, new back then and never really got on with it. Not very high gain, quite wooly. Perhaps they work best with an amp that's already being pushed, or perhaps I got a duff one, but thinking back, I was pretty anti-fuzz for AGES after that.
What would have suited me better was something I could DI into my four track and get a good sound with from the off.
Nice... I've got a tone bender build partially finished that I need to revisit. Managed to harvest some Mullard OC81Ds from a couple of broken radios!fuzzjunkie wrote: ↑Sun Jul 19, 2020 8:01 amI used to have a Yardbox years ago that was good for that. Maggie-o swears by hers, but I moved on to more vintage/accurate Tone Bender clones.mgeek wrote: ↑Sun Jul 19, 2020 7:51 amI had a 90s fuzz face, new back then and never really got on with it. Not very high gain, quite wooly. Perhaps they work best with an amp that's already being pushed, or perhaps I got a duff one, but thinking back, I was pretty anti-fuzz for AGES after that.
What would have suited me better was something I could DI into my four track and get a good sound with from the off.
Great post! Thanks for that! I like hearing all types of fuzz, but am a little pickier when it comes to playing fuzz. I frequently love the roots of the classic fuzzies, but frequently want something of a hybrid between the classics.fuzzjunkie wrote: ↑Sun Jul 19, 2020 7:45 amIf a Fuzz Face is too low gain or too wooly sounding, or if a Big Muff is too hi-gain and too scooped, here are a few alternatives:
Tone Bender MKII - higher gain and mid focused, not as compressed or as smooth as a Muff. No tone control.
Burns Buzzaround - right between a Tone Bender MKII and a Big Muff. Sustain can get into Muff territory but the tone stack is completely different and it cuts much better.
Tone Bender MKIV - plenty of gain, smoother than a Fuzz Face, but more open than a Big Muff. Full range tone control. Cuts for days. I can hear why Kevin likes his so much.
All of the above use 3 transistor germanium circuits, although the Buzzaround is also available in silicon. All clean up more than a Muff will, but being higher gain, don’t do the sparkle cleans that a Fuzz Face is known for unless your pickups are really low gain, like Gold Foils or similar.