Telliot wrote: ↑Wed Mar 07, 2018 8:28 am
he’s inspired an entire generation of new guitar players.
I don't know how I feel about this.
Usually when Shadowplay rails on blooze players I have to take into account that he popped out of the womb as a baby with fully sentient musical tastes suited to moors and cold winter rain. This is not to say that I don't agree with his takes on popular and not-so-popular music 95% of the time-- because I do, but when it comes to the blues and/or 'tha blooze' there is a certain bit of growing up in America that helps bridge a few gaps.
I have certainly enjoyed some of the 80s blues noodlers like SRV, Robert Cray, and Bonnie Raitt-- not to to the point of still owning their albums. I grew up listening to classic rock-- all the people that have been playing, interpreting and/or ripping off blues for decades. The next generation with Kenny Wayne Shepherd and Derrick Trucks are now established tour veterans. John Mayer is one of those 'crossover guys.' He can sing smarmy pop songs, wail on guitar, bed babes with questionable tastes, and blather on Instagram about his schweet gear.
Like it or not, many an aspiring guitarist would also love to wail on guitar, bed babes with questionable tastes, and blather on Instagram about gear. Maybe a few of these players (literal, figural) will go beyond the superficial level and get really good while making meaningful music. I'd guess .01%. The rest will make a bunch of shit music that will go nowhere, or set the foundation for the next generation of toolbags to come.
A PRS made Strat is PERFECT for Mayer. To me it's the embodiment of just about everything he stands for: a highly-functioning American made rip-off of a classic that nobody needs-- yet it exists all the same.