Warning: This post illustrates some serious guitar-based neurosis
I recently decided that sunburst is my favorite finish for a vintage Jazzmasters and Jaguars. The reason is that a sunburst guitar, with its different colors and proportions thereof, provides so much more to obsess over. And as a hobbyist who can't justify more than one or two moderately priced vintage guitars at a time, more detail to dissect only adds to the fun of seeking a guitar with my personal idea of the just-right look (of course along with great sound and feel).
That said, I've noticed that various years have different style bursts:
58-59: Smooth 2.5-tone burst
60-61: Quasi 2-tone burst, often with a very thick black band
62-64: the most normalized 3-tone bursts
65-66: plenty of 3-tone target bursts, plenty of yellow dominant bursts, some smooth 3-tone bursts.
I have no doubt that there are many exceptions to the above. Anyone else been paying attention to the general pattern of bursts in the various years? Notice the same patterns? Different?
Thanks.
Mapping vintage Fender sunbursts on Jazzmasters and Jaguars
- takeittothemall
- PAT. # 2.972.923
- Posts: 522
- Joined: Wed Apr 21, 2010 10:04 am
Mapping vintage Fender sunbursts on Jazzmasters and Jaguars
great OSG deals with: ncarey13, skip.
great TGP deals with: drjoel, 12strings, Tim P, angrybandnerd, echobaseone, guitarpkr67, jcampbell331
great TGP deals with: drjoel, 12strings, Tim P, angrybandnerd, echobaseone, guitarpkr67, jcampbell331
- FrankRay
- PAT. # 2.972.923
- Posts: 1543
- Joined: Fri Mar 23, 2012 2:54 am
- Location: east london
Re: Mapping vintage Fender sunbursts on Jazzmasters and Jagu
A lot of late 62s have a very wide black edge, whereas a lot of 65s have a very narrow black edge, to the point it doesn't quite reach the rhythm circuit control plate. I've seen a few 62s where the black takes up about half the area.
I'm guessing the people using the airbrush had signature styles?
I'm guessing the people using the airbrush had signature styles?
- nucleardonut
- PAT. # 2.972.923
- Posts: 164
- Joined: Tue Mar 10, 2015 6:07 pm
Re: Mapping vintage Fender sunbursts on Jazzmasters and Jagu
The thing I notice is how the earlier sunbursts you could see woodgrain in the yellow portion, but by the mid-60s it was much plainer. I think they were painting them different by then, putting an opaque white (or sealer?) over the wood first, then painting the yellow, e.g.:
- windmill
- PAT. # 2.972.923
- Posts: 4404
- Joined: Fri Dec 21, 2007 4:31 am
- Location: South Eastern Australia
Re: Mapping vintage Fender sunbursts on Jazzmasters and Jagu
This where Photobucket's mucking up of Zhivago's Vintage Hotties thread is so annoying.
Good topic,surprised it hasn't been done before
look forward to following this.
Good topic,surprised it hasn't been done before
look forward to following this.
-
- PAT. # 2.972.923
- Posts: 5151
- Joined: Sat Mar 03, 2007 8:30 am
Re: Mapping vintage Fender sunbursts on Jazzmasters and Jagu
Yes it's known as a 'faux burst', late 60's CBS began using up ugly or smaller pieces of wood that would have previously been rejected for bodies..so they painted the bodies with a solid coloured sealer to cover it up and then put the burst over that.nucleardonut wrote:The thing I notice is how the earlier sunbursts you could see woodgrain in the yellow portion, but by the mid-60s it was much plainer. I think they were painting them different by then, putting an opaque white (or sealer?) over the wood first, then painting the yellow, e.g.: